In this case, the synthesised sound becomes a perfect analogue for the sound you’re singing, and anyone can do it with minimal MIDI mapping. This way, as you make an open-mouth sound, the VST synth’s filter opens. You can set min and max input and output values to take far greater control with your voice, and it does make a big difference if you elect to use this function.Īn everyday use case is mapping the AAA vowel sound to the filter cutoff frequency on a synth VST. The tools for controls in Dubler 2 are, again, refined over the original. In short, if coming up with compelling chord progressions isn’t your forté, this could add an extra touch of musicality.Īs well as offering pitch, chords and drum triggers, Dubler is also a controller, turning vowel sounds (AAA, EEE, OOO) and level (ENV) to CC messages. The Chords mode turns Dubler 2 into an enormously flexible tool for composing with strings, synths, keys and more. Once you factor in an automatic root note bassline function and the ability to have your chords either clustered or spread out, its benefits become apparent. You can set the behaviour just to create triads, or there are Pop Simple and Pop Advanced modes that automatically harmonise notes with appropriate (and increasingly complex) chords. The interface is more advanced than DAW-stock chord trigger MIDI effects. This makes it extremely easy to create pretty complex chord progressions quickly.
#Sweet midi player keygen torrent full#
After you’ve set your key, Chord mode turns each sung note into a full MIDI chord. The most significant creative difference in Dubler 2 is the updated Chords mode.
A small amount of music theory goes a long way for this section because of all the new scales available, but it’s fairly easy to use.
#Sweet midi player keygen torrent software#
The benefit of defining a key is the Key Restriction function – a scale quantise mode – which helps the software interpret your vocal input. One of the more useful features is the Sing In Notes function, where you sing in your intended part, and the software determines which key includes the notes you need. The downside is that if you’re not entirely in control of your vocal pitch, the software can struggle to pin down your intent, flitting back and forth between notes and creating extra MIDI data for you to edit later. The less stickiness, the more agile the note movements can be. That said, if your vocal abilities are lacking, Dubler 2 might not be all you hope for.Ĭoaxing useful pitched results from Dubler 2 depends on a ‘Stickiness’ control that balances timing accuracy against pitch stability. Our vocal talents leave much to be desired, but we could still produce something musical from the software. The pitch-tracking section is vastly improved in Dubler 2. Immediately upon launching, you get a fantastic sense of what Dubler is capable of. There are 808 drums and a range of different sounds for the Pitch and Chord outputs, including wobble bass, trumpets and 8-bit pads and pads. It might seem a minor point, but psychologically, it makes the whole package far more welcoming and exciting than its predecessor. That means there’s no DAW setup required before you can start training the software. That’s largely down to this version having built-in sounds. Where the original Dubler software lacked immediacy, Dubler 2 has it in spades. Once you get into the swing of it, recording triggers for three sounds can take as little as 15 seconds. These can be beatbox drums, finger clicks, claps, and other short, percussive sounds – each must be as distinct as possible. You just repeat each trigger sound up to 12 times, then move on to the next. Training is remarkably streamlined in this version. Of course, the other benefit of using your own mic is that you can simultaneously record audio, should you so desire.Īs far as beat detection goes, you need to ‘train’ (record) your drum triggers for each sound. Even so, calibration takes under a minute with a third-party model. The advantage of using Vochlea’s mic (available in the more expensive kit) is that there’s no calibration needed. The software works with any dynamic mic we used an SM7B and a Rode PodMic. However, if you want to turn those golden song ideas in your head into production-ready tracks just by singing them, Dubler 2 is no magic bullet.
Dubler 2 has significantly improved chord-handling abilities that genuinely open unexpected creative paths, and it’s a little more immediate than V1.